Ladies First July 2017

LADIES FIRST is a list of new productions, workshops, readings, and publications by female playwrights. Our goal is to create greater gender parity in theatre by highlighting the works of female writers and the organizations that promote and produce their works. 

PRODUCTIONS:

Little Black Dress INK presents the 2017 Female Playwrights ONSTAGE Festival July 6th through July 8th in Arizona. This year’s theme is Hot Mess, and this year’s non-profit is Days for Girls. The winning lineup of plays includes:

Zero-Six-Two-Eight by Katherine James
Boxes are Magic by Allie Costa
Spark by Barbara Blumenthal-Ehrlich
The Worst of All Evils by Philana Omorotionmwan
Evolution Fast Track by Micki Shelton
Three Ghosts of Elizabeth Bathory by Anne Flanagan
Co-Workers by C.J. Ehrlich
Linda by Diana Burbano
Hot/Mess by Jen Huszcza
Mommy Knows Best by Tiffany Antone
Fruit Salad of Shame by Ellen Davis Sullivan
Educated Fleas Do It by Karen Loseff Lothan

http://www.brownpapertickets.com/event/2993356

The 10-10 New Play Festival is currently running at Chagrin Valley Little Theatre at The River Street Playhouse in Ohio. This biennial series of ten-minute plays includes GWTW Abridged by Annie Taft and Two Girls by Allie Costa. The festival is directed by Yvonne E. Pilarczyk & Dawn Hill and runs through July 15th.

http://www.cvlt.org/87thSeason/10-10.php

The Summer Shorts Play Series returns to Samuel French, Theatre & Film Bookshop July 29th and 30th. Stay tuned for the lineup!

https://www.facebook.com/pg/samfrenchbkshp/events/

 To submit to the August issue of LADIES FIRST, email natalie.noplays@gmail.com before the end of the month. Send us your name, the name of your play, the name of the theatre producing your work, a sentence or two about the play, the where and when, and an image. Thank you to everyone who participated in this month’s LADIES FIRST newsletter.

LADIES FIRST April 2017

LADIES FIRST is a list of new productions, workshops, readings, and publications by female playwrights. Our goal is to create greater gender parity in theatre by highlighting the works of female writers and the organizations that promote and produce their works.

PRODUCTIONS:

365 Women a Year Festival at Rover Dramawerks 

April 6th through April 15th in Plano, Texas.

This year’s lineup includes:
The Anesthetic Was Psalms by Nancy Gall-Clayton
Julia Tuttle: The Mother of Miami by Marj O’Neill-Butler
The Deaths of Anna May Wong by Anne V. McGravie
Return to Sender: The Minnie Cox Story by Rita Anderson
Linda by Diana Burbano
Herstorical Pen-Pals by Caroline Turner Cole
Curtain Rods by J Sanders Nelson
No Limits by Carol M. Rice
Little Swan, a Pas de Deux by Allie Costa
The Mysterious Affair at the Christies by Jennifer O’Grady
Joan by Susan Shafer
Hitler’s Whore by Jim Colgan

Check out the full lineup with cast list and additional details:https://www.facebook.com/RoverDramawerks/posts/10154898548610751

Tickets: http://www.roverdramawerks.com/04_BuyTickets/04_BuyTickets.php

She Has Seen the Wolf by Allie Costa

Produced by Lake Sumter State College

Lake Sumter State College in Florida will host a short play festival April 6th through 9th, directed by Amber Karlins. 32 short plays were selected for this event, including She Has Seen the Wolf by Allie Costa, a dark, modern-day retelling of Little Red Riding Hood that addresses street harassment and assault.

https://www.facebook.com/events/640708866122032/

Urban Legends Festival

Produced by Urban Theatre Movement

April 27th through May 14th at studio/stage in Los Angeles.


The short plays featured include :
The Hummingbirds Punch the Clock by Beau McCoy, directed by Amaka Izuchi
The Dating Pool by Essence Brown, directed by Essence Brown and Emmanuel Plasencia
An Addict Speaks by A.L. Adams, directed by Gisla Stringer
The Pro Tem by Robert Wayne Allsop, directed by Paul Tully
Freddie’s Last Concert, written and directed by Alex Alpharaoh
Scratches by Julian Rubel and Joe Samaniego, directed by Garrett Ward
Don’t Take the Stairs by Zharia O’Neal, directed by Joan Marie Hurwit
Oscar and Rita by Lynn Adrianna, directed by Paul Tully
Cause of the Son by Christopher Gavilanes, directed by Christopher Gavilanes and Gisla Stringer
Two Girls written and directed by Allie Costa
Celest’s Way by Gisla Stringer, directed by Gisla Stringer and Mathew Belnas
Cater written and Directed by James Morosini

More information + tickets: http://www.urbantheatremovement.com/one-act-festival.html

READINGS

One Acts and Snacks

Produced by Casa de Beverley

Casa de Beverley will partner up with the Rugby Road Salon once more for its final One Acts and Snacks of season 3! We celebrated women this season and we hope to go out with a bang! April 15th, 2017. Doors open at 6pm.. Please join us for an evening of new works featuring Mona, The Phona Bona by Sue Horowitz, Dragon Riders Visit Vermont by Natalie Osborne, and For All Concerned by M. Amanda Vann. Great art, conversation, and food. IMPORTANT ALLERGY NOTE – Location is also home to a cat. If you know you are sensitive, please take whatever precautions you need to keep yourself comfortable while here. Venue location will be sent to registered attendees 24 hours before the event. Tickets are $10. $15 at the door.

Tickets can be purchased here: https://www.eventbrite.com/e/one-acts-and-snacks-season-3-finale-april-15-2017-tickets-33140839142

To submit to the May issue of LADIES FIRST, email natalie.noplays@gmail.com before the end of the month. Send us your name, the name of your play, the name of the theatre producing your work, a sentence or two about the play, the where and when, and an image. Thank you to everyone who participated in this month’s LADIES FIRST newsletter.

Thank You To Our Sponsors!

HERSTORY 2: WE RISE is tomorrow night! We’re looking forward to a great weekend of new plays and want to take a moment to thank all of our supporters who made this event possible.

Thank you to the following businesses for their generous donations:

We would also like to give special thanks to the following:

The Silk Road Art Gallery
The Dramatists Guild
Dan Li
Sandra Jack
Chris DeFillip
Rainbow Gardens
Cloud 9 Day Spa
The Canvas Patch
Brittney Garth
Lynn R. Lichtig
Lauren Gray

And to all of you for visiting our website!

HERSTORY 2: WE RISE won’t be possible without the support of each and every one of you!

LADIES FIRST MARCH 2017

Happy Women’s History Month!

This is a list of new productions, workshops, readings, and publications by female playwrights. Our goal is to create greater gender parity in theatre by highlighting the works of female writers and the organizations that promote and produce their works.

PRODUCTIONS:

HERSTORY 2: WE RISE 

Produced by NOplays Theatre

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A new play festival celebrating the bravery and strength of unsung heroines. Featuring A Moment of Silence by Allie Costa, K.C. Reporting by Natalie Osborne, Ida and Leonor by Danielle Winston, and My Aim is True by Lucy Wang.

March 10th and 11th at 7pm at the Silk Road Art Gallery in New Haven Connecticut. $10 suggested donation. Visit us at http://www.noplays.com to learn more. Rsvp through our facebook event here.

The Nasty Cabaret

Produced by Nasty Women New Haven

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Lyric Hall 827 Whalley Avenue New Haven, CT. Friday, March 24th 7-9pm. Tickets $20. More info at lyrichallnewhaven.com. Part of the Nasty Women Exhibition at the Institute Library 845 Chapel Street New Haven, CT.

READINGS:

The Women Playwright’s Initiative 

Produced by Ivoryton Playhouse (CT) 

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Four one acts by four fabulous playwrights. Staged readings and talk backs followed by Talk Backs and refreshments each night. Starts at 7pm.

To attend the free pre-reading discussion hosted by the League of Professional Theatre Women (Connecticut Chapter) on Saturday, March 4 from 5pm, please register by following this link. To purchase tickets for the Friday, March 3rd or Saturday, March 4th readings – each start at 7pm – please call 860.767.7318 or follow this link to purchase tickets online. Tickets for Friday and Saturday night 7pm readings:  $20 adult each night; $15 senior each night; $10 student and LPTW members each night.

One Acts and Snacks

Produced by Casa de Beverley 

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Casa de Beverley’s monthly reading series featuring works by female playwrights. Saturday March 18th at 6pm. Rugby Road, Brooklyn, New York. Tickets available here.

To submit to the April issue of LADIES FIRST, email natalie.noplays@gmail.com before the end of the month. Send us your name, the name of your play, the name of the theatre producing your work, a sentence or two about the play, the where and when, and an image. Thank you to everyone who participated in this months LADIES FIRST.

Playwright Lucy Wang on Standing Rock and Standing Together

Lucy Wang’s new play My Aim is True will be featured along with four other plays in HERSTORY 2: WE RISE. In this interview with Artistic Director Natalie Osborne, Lucy Wang discusses the life of Anna Mae Aquash and the continuing struggle for native rights. You can see HERSTORY 2: WE RISE, March 10th and 11th at the Silk Road Art Gallery in New Haven.

 1.) Can you tell me a bit about your experience with 365 Women a Year?

I naturally gravitated towards 365 Women A Year because my body of work features strong yet vulnerable female characters. 365 Women a Year simply provided more impetus and a welcoming home to explore and create stories about extraordinary women. It’s wonderful to belong to a community that recognizes and celebrates the contribution women have made to the world. In addition to writing about Anna Mae Aquash, I’ve written about Marion Davies, Julia Morgan and Misty Copeland.

2.) What drew you to Anna Mae Aquash?

I learned about Anna Mae Aquash from an article published in the April 25, 2014 issue of the New York Times Sunday magazine, WHO KILLED ANNA MAE?, by Eric Konigsberg. Her courage, her commitment and her unsolved murder brought me to tears, and I knew then that I had write about her.

3.) Anna Mae Aquash was an activist in South Dakota in the 1970s, today the Water Protectors are fighting to protect their tribal lands at Standing Rock, can you talk about the relationship between then and now?

If Anna Mae Aquash were alive today, I believe she’d be protesting and camped out at Standing Rock. I think she’d be heartbroken to see that Native Americans still have to fight for the right to hold onto their sacred lands, and that the government wants to break yet another treaty. What hasn’t changed is the need to keep fighting and praying.

4.) What is something you wish more people knew about this movement?

Water is life for everyone, and without it, we’ll all die. Protecting our water and our environment benefits everyone, not just one tribe, or one people. As much as we might need oil, we can’t drink oil. We can’t live on another planet, as of yet.

5.) Why is it important for people to hear stories of activism?

Sharing our stories about activism can transform and save lives. I just learned that it was a youth group that started the protests at Standing Rock. The group began as an effort to combat the high suicide rate among Native American teenagers and young adults. Its members then campaigned successfully against the Keystone XL pipeline and later shifted its focus to Standing Rock, giving these young people a greater sense of purpose. They brought an exciting new energy, attracting support from other Native Americans and activists from across the country.

We all have our struggles, and these struggles can isolate and defeat us, but when we hear about others standing up for what is right, it can give us courage, community and purpose. Sweeping change doesn’t typically happen overnight or by the actions of one person. As we are seeing right now with the Resistance against the Trump Administration, it usually takes organized masses and movement.

6.) What do you see as the role of the writer and the artist in America today?

I once had the pleasure of meeting Ishmael Reed, and he told me – as the title of his book says – writing is fighting. His words resonated. I think of writers and artists as fighters. We fight for your attention, to tell a story, make a difference, to survive, to shed light on the less visible, to open someone’s heart, to enlighten. More often than not, we’re knocked down, but we have to get back up to fight another day.

7.) What is something you want audience members to take with them after seeing My Aim is True?

I hope people feel inspired to learn more about Native Americans and to lead with courage.

8.) What other projects are you working on?

Inspired by the success of my show CHINESE GIRLS DON’T SWEAR, I’m writing a new one-woman show. I’m also working with my friend and composer Paul Wehage on a musical comedy about cancer – yes, I said comedy – and I’m writing a new straight play and a novel.

9.) Is there anything else you would like to share with your fellow writers and theatre-makers?

Play. Value yourself. Read your contracts closely. If you’re not sure something is fair or legit, reach out before your sign that contract. Call a friend, or the Dramatists Guild. Your voice and vision are worth something.

If you would like to support HERSTORY and NOplays efforts to bring women’s stories onto our stages, please consider making a donation. This interview is part of a three part series. To read the first interview with playwright Danielle Winston, click here.

LADIES FIRST FEBRUARY 2017

This is a list of new productions, workshops, readings, and publications by female playwrights. Our goal is to create greater gender parity in theatre by highlighting the works of female writers and the organizations that promote and produce their works.

PRODUCTIONS:

The Skirtz Festival.

 Roebuck Theater.

skirtz

Includes plays written by Allie Costa, Anne Flanagan, Nancy Gall-Clayton, Regina Robbins, Ronald Micci, and Stanley Toledo. NYC February 16th, 17th, and 18th. Tickets are available for series A and series B.

Don’t Shoot the Messenger Pigeon, written by Allie Costa. 

Produced by Barrington Stage Company 10×10 New Play Festival.

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Running February 16th through March 5th in the Berkshires. In this dark comedy written by Allie Costa and directed by Julianne Boyd, a mafia messenger in a career crisis meets his match while out on assignment.

class=”m_3041194484150028213edited-link-editor” href=”http://barringtonstageco.org/10×10-new-play-festival-2017/” target=”_blank”>View the festival lineup and get tickets!

http://barringtonstageco.org/10×10-new-play-festival-2017/

Cut and Run by Allie Costa.

Produced by This is Water Theatre in Texas. 

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World premiere February 8th through February 18th at This is Water Theatre in Texas. At this hair salon, it’s live and let dye. This is Water has selected eight plays for the festival, all related to the themes of risk and vulnerability.
Full lineup + tickets:

http://thisiswatertheatre.com/current-show

The Fast & Furious Festival. 

Produced by Spokane Stage Left. 

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February 10th-12th. This is Stage Left’s fourth annual staged reading of super-short plays. This fast-paced event features 35 new comedies and dramas that are sure to chase away the winter blahs. The lineup includes Anniversary by Allie Costa.

http://tktassist.com/Tix/?u=StageLeft&eventID=FF

Where Do We Go From Here?

Produced by Goblin Baby Theatre Co. 

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The Bread & Roses Theatre in London February 12th & 13th. The festival showcases new works reacting to the UK referendum and the US election. The lineup includes Party of Two written by Allie Costa, directed by Su Gilroy.
http://www.goblinbaby.com/where-do-we-go-from-here.html

READINGS:

One Acts and Snacks. 

Casa de Beverly. 

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February 18th, Brooklyn. Featuring Baby by Emma Goldman Sherman, Menage A Quois by Julie Richardson, and A Bigger Fire by Cecilia Copeland.

 

To submit to the March issue of LADIES FIRST, email natalie.noplays@gmail.com before the end of the month. Send us your name, the name of your play, the name of the theatre producing your work, a sentence or two about the play, the where and when, and an image. Thank you to everyone who participated in this months LADIES FIRST.

Happy 2017!

NOplays New Logo

Here at NOplays we’re excited to be continuing our mission to produce and promote new works by women and other underrepresented voices!

Due to a lack of submissions, The Milford Young Playwrights Festival will be postponed to later in the year.

We’re looking forward to HERSTORY Part 2 in March and to The Masks of the Goddess later in Spring, as well as other events to promote women in theatre.

Thank you again for your continued support!