This piece was published by HowlRound earlier this month. Enjoy!
This piece was published by HowlRound earlier this month. Enjoy!
As part of Wellness Week, BeWell and the Bennington Drama Collective will be hosting “Let’s Talk About Sex, Baby!” an open mic night on consent, safe sex, and sex positivity. There will be new student works ranging from music to poetry to drama, including Me, Myself, and I, a new play by yours truly! Tonight at 10pm in Bennington College’s Downcafe. Hope to see you there!
Natalie Osborne discusses her new play MAKING FRANKENSTEIN. This is the third in a series of four posts featuring the playwrights of the Bennington 365 Women a Year Festival.
Q: How did you hear about 365 Women a Year?
A: I found it on Facebook while I was searching the interwebs one day and signed up immediately! I think this project shows what a great tool social media can be for connecting artists (or anyone really) and allowing them to reach a common goal.
Q: Why did you choose Mary Shelley as your historic woman? What drew you to her?
A: I’ve actually wanted to write a piece about Mary Shelley for a long time, but I was worried about doing her justice. This chick was still a teenager, and she managed to not only finish a novel, but write a masterpiece, and create an entirely new genre of literature! She had already co-written and published several books with Percy Shelley before writing Frankenstein, which is something I don’t think most people know about. When I first started seriously writing fiction as a teenager, knowing that she had been able to do so much at such a young age became a huge inspiration/motivation for me (it still is)! Writing a play about her, however, was still intimidating.
I had it in my head that there were all these books I had to read and research I had to do before I could start. Then one summer I signed up for 31 Plays in 31 Days, which is similar to NaNoWriMo for playwrights (you have to write one new play every day of the month). By the end of the month, I was running out of ideas, and decided, “sure, why not write that play about Mary Shelley.” That ended up being the first draft of Making Frankenstein.
Q: Can you walk me through the process of adapting a persons life for the stage? What were some of the challenges? What parts really clicked together?
A: The biggest challenge for me was getting started. I had to let go of the idea that I needed to know absolutely everything about Mary Shelley before I could write. After that, I was able to let myself explore, and the rest of the play came pretty quickly. With this play, I knew I wanted to focus on the night when she wrote the first draft of Frankenstein. I wanted to explore what could have possibly been going through this women’s head when she came up with this idea! I directed most of my research towards the “moment before,” so I could know what place the characters were in the night Frankenstein was born. I don’t want to give away any spoilers, but I will say that Mary and Percy’s relationship was not an easy one, the couple faced more than their fair share of tragedy. Although Mary was still a teenager when she wrote the novel, she had already experience more of life than a person twice her age.
Q: What are you most excited about for the reading on the 27th? What are you most nervous about?
A: I can’t wait to see the play read aloud by actors! I’m really lucky to have four very talented performers in the piece, and I’ve enjoyed working with them. I don’t think I could have asked for a better cast.
That being said, I always feel nervous before a play reading. There’s the question of, did I do enough? Did did I do enough rewrites? Will people understand this? Is it funny enough? And my personal favorite, but what if no one shows up….but what if they DO show up?! It’s nerve-wracking to have worked on a piece and then having to throw it out into the world and see how people react to it.
Q: Are there any playwrights that inspired you while you were working on this piece, or who inspire you in general?
A: Five Lesbian Brothers, Sarah Ruhl, Carol Churchill, and Lisa D’amore are writers who’s plays I’m currently obsessed with
Q: What has been your favorite aspect of working with 365 Women a Year?
A: I just love being part of this awesome group of ladies (and gents) and seeing the amazing work that’s come out of this collaboration. We have 200 plus plays written and dozens of productions happening around the world! That’s pretty incredible.
Q: Do you have any advice for the playwrights joining 365 Women a Year in 2015?
A: WRITE! YOU MUST WRITE! (Ok, so that might have been a little overdramatic, can you tell I do theater?) In all seriousness, you need to take that first step into writing, don’t let the fear of not knowing enough hold you back. I learned a great quote this winter from a fellow playwright, “researching is a great way to procrastinate from writing without feeling like you’re procrastinating.” In other words, don’t do what I did, because it took me years to finally bring myself to put the words on the page. Once I did, I realized I had the story there all along, I just needed to do the work.
Natalie Osborne is a Senior at Bennington College studying Theatre and Anthropology. She likes to tell weird, fun, feminist, queer friendly, and fantastical stories (sometimes all at once). She’s had two readings at Classic Theatre of Harlem in their Playwright’s Playground Program, and has worked with La Mama Theatre in New York City, The Kattaikkuttu Sangam in Punjarasantankal India, and The Athena Project in Denver, Colorado. She’s now super excited about being involved in this project with all these other fabulous playwright ladies! You can see her play MAKING FRANKENSTEIN at the Bennington College Student Center on March 27th, at 7:40pm. Or watch the online stream on HowlRound TV
To see the other post in this series, click on one of the links below:
NOplays is very excited to announce the cast for the 365 Women a Year Festival at Bennington College!
Making Frankenstein, written and directed by Natalie Osborne
Mary Shelley – Sarah Jack
Percy Shelley/Frankenstein – Marshall McGraw
Clare Shelley – Maia Villa
Stage Directions – Celene Barrera
En El Medio, written and directed by Maia Villa
Ria – Ada Guzman
Glo – Joana Santos
Stage Directions – Jessie Berliner
Feelin’ Lonely, written by Catherine Weingarten, directed by Natalie Osborne
Elizabeth – Lauren Cagnetta
John – Jade Pope
Stage Directions – Molly Forgaard
After the Thin Man, written by Shellen Lubin, directed by Maia Villa
Stella Adler – Singer Moora
Sylvia Gassel – Victoria Nation
Stage Directions – Molly Kirschner
Unfortunately, the play White Cotton is no longer a part of the festival, but we are very excited about our four plays and our fantastic cast! The performance will take place on March 27th at 7:40pm in the Bennington College Student Center. The performance will also be livestreamed on HowlRoundTV, starting at 8pm EST.
The annual Bennington tradition continues. Four writers spent the winter writing original ten minute plays, and now their fellow students have only 12 hours to direct, design, and perform them!
This years theme is Closet plays, featuring new works by Audre Bennett, Will Larson, Michael Ash, and yours truly!
Sunday March 9th at 8:00pm in the Deane Carriage Barn
If you’re looking for some fun theatre in Southern Vermont this weekend, look no further!
Where in the world is Natalie Osborne? She’s in the Mile High City (Denver, Colorado) working with the fantastic group of ladies at the Athena Project! If you don’t know about the Athena Project, YOU SHOULD! Their mission is to embrace, encourage, and empower female artist across the disciplines. Including; dance, music, visual arts, and of course, theatre. I’ve had an amazing few weeks working with The Athena Project, helping them to prepare for their third annual arts festival in March, and I can’t believe my time here is already coming to an end! Unfortunately, I won’t be able to see the festival, but if any of you are around Denver, attend one of their many amazing events. And for you female playwrights, here’s a great place to submit to!
Read more about the Athena Project here!
And check out their website:
If you haven’t had the chance to check out the 365 Women a Year website, please do!
NOplays is pleased to announce that we will be organizing our first production in collaboration with 365 Women a Year!
The event will take place on March 27th at 7:40pm in the Bennington College Student Center. The evening will feature staged-readings of five original one acts written by Bennington College students and alumni. The evening will also be live-streamed on HowlRound and Nitenews, as part of the 365 Women a Year 24 Hour Broadcast.
We are very pleased to announce the plays that have been selected for the event.
MAKING FRANKENSTEIN by Natalie Osborne
EN EL MEDIO by Maia Villa
FEELIN’ LONELY by Catherine Weingarten
AFTER THE THIN MAN by Shellen Lubin
WHITE COTTON by Shellen Lubin
For more information on the readings, please email email@example.com. For more information about 365 Women a Year, please visit the website.
Stay tuned for more information on the playwrights and the historical women featured in their plays, and for the link to the live-stream.
Check out this video on Belarusian Dream posted on the Bennington College website! Clips from the plays included
Check out this article about 365 Women on Nite News!!